FILM NEXUS Vol. 5: Nymphomaniac

Day of doom. Armageddon. The apocalypse. I believe you can tell a lot about how a filmmaker sees the world in how they envision its destruction. In recent years, it seems most view it in terms of looting, unprecedented urban and environmental destruction, and survivors only carrying on by exhibiting the worst of human nature.

Picture for a second that you are an alien life form and sitting front and center for Earth’s last minutes, if the certainty of absolute impending annihilation was thrust upon the human race, would you want to watch all the widespread panic, or would you be more interested with how the puny humans below are coping with this knowledge, and all the last, smaller stories that are born.

For director Lars von Trier, he is much more interested in the latter of the two options, and finds ways of incorporating personal apocalypses in many of his films, whether the end of the world for his characters is literal or figurative. Today, April 11th, Cinema Center opens “Nymphomaniac: Vol. 1” with “Vol. 2” to open next week.

The film follows Joe, who is found beaten in an alleyway at age 50, and she tells the story of her very sexual life to a Good Samaritan. While there is much to celebrate, as well as be appalled by, find funny, and sympathize with Joe’s life as it is recounted over the course of two feature films, the beginning of the film most definitely signifies the end of the world as Joe has known it up until that point.

Von Trier is excellent taking his characters up to points when they cannot progress any more, and then showing what happens when they attempt that one last step. One of his greatest recent films that is streaming on Netflix, and provides a perfect complement to “Nymphomaniac: Vol. 1” is “Melancholia” from 2011. The film stars Kirsten Dunst as Justine, a depressed woman living with her sister’s family when a rogue planet is going to collide with Earth, ending life on the planet.  

In “Melancholia,” von Trier’s take on the end of the world resembles more of the Greek translation of apocalypse, meaning knowledge of something that was hidden. Justine, through her depressed state, is able to find an almost unnerving calm about the end of life on Earth. While her family panics in their own ways about the planet’s demise, Justine becomes a stabilizing force, and exhibits strength when perhaps it is put to it greatest use. When Earth’s collision with the rogue planet, Justine faces it with grace, and does not turn from it.

While it takes nearly all of “Melancholia” for Justine to realize she needn’t look away from the inevitable, Joe in both volumes of “Nymphomaniac,” never looks away throughout the entire saga. The apocalypse for Joe, is not so much a question of if she will change her ways, but whether she even needs to entertain the notion. The end of the world for Joe is playing by someone else’s rules.

Nymphomaniac: Vol. 1 opens today at Cinema Center.
Nymphomaniac: Vol. 2 opens April 18th

Jonah Crismore is the Executive Director of Cinema Center and hopes you will take a chance with Nymphomaniac, even though it is rated NC-17.


FILM NEXUS Vol. 4: Comic Book Movies

Some of my fondest memories of growing up on the northeast side of Ft. Wayne are visiting Books, Comics, and Things in Georgetown every weekend, usually when my mom did grocery shopping at the Kroger, which was then Roger’s. In those days, the comic book release schedule was not broadcasted on the internet, you just had to show up and hope they had the newest issue of a Jim Lee illustrated issue of X-Men, or you would just happen upon something drawn by Rob Leifeld that featured men with big muscles, holding big guns, and probably missing feet. I am still nostalgic for the smell of newsprint, on the rare instance these days I catch a whiff of it, I automatically feel the excitement, and the anticipation for what new issue I would find and take home.

A few of my friends and I would joke about who we would cast in the various comic book adapted movies we came up with in our overactive heads, and what storylines would present the best cinematic experience. We joked because at the time, there were hardly any comic book adaptations, and those that existed besides the first two Superman films and the Tim Burton Batman films, were pretty weak.

Then something happened, Hollywood got hip to comics, and hip to them in a big way. I don’t think it is an accident that as large studios began thinning their development departments that comic books began their rise to the top cash cows for so many companies, they practically come story-boarded. I also believe there was a whole lot going on in the late 1990s through early 2000s that fed to the public’s demand of movies that featured heroes, sometimes tragically flawed, but still were able to accomplish incredible acts of bravery.

Some of those films are pretty great, but as I got older, I started to gravitate toward the comics that did feature characters in outrageous costumes, I started to read stuff by Daniel Clowes, Harvey Pekar, Neil Gaiman, and Alan Moore, writers and cartoonist who interjected much more real life experiences, musings about humanity’s role in the universe, and how we all fail into their stories that could only exist in comic form. Or so I thought. The movies came calling again, and works by those artists started to show up on movie theater screens everywhere, and the movies became a better for it.

On Saturday, Cinema Center is partnering with the Appleseed Comic Con for a local comic artist drink and draw event, followed by a screening of the Daniel Clowes classic “Ghost World,” starring Thora Birch, Scarlett Johansson, and Steve Buscemi. This is the comic film that showed me what kind of story comic books are capable of telling. Come out at 8, mingle with some local comic artists, and then stay for the screening of “Ghost Wold” at 9:30. As a bonus, Cinema Center will be screening “Ghostbusters” as part of the Midnight Movie Series that night and you can see it for only $5!

After you catch “Ghost World” at Cinema Center, be sure to catch some of these great films, adapted from comic books that are available for streaming on Netflix:

Blue is the Warmest Color (2013)
Dredd (2012)
The Adventures of Tintin (2011)
Hellboy (2004)
The Crow (1994)
Fritz the Cat (1972)
The Walking Dead TV series (2010)
Comic Book Men TV series (2012)

Jonah Crismore is Cinema Center's Executive Director and is currently digging Jason Aaron and R. M. Guéra's "Scalped."

FILM NEXUS VOL. 3: Better Living Through Chemistry

A timid small-town pharmacist, with a wife who walks over him every chance she gets, a son with a strange obsessive take on school vandalism, and a boss who belittles him on a regular basis meets an eccentric, bored with life, femme fatale who convinces him to give into his darker side, with a lot of help from various chemical sources – a remake of countless films noir?  Not exactly, though the film “Better Living Through Chemistry”, now showing at Cinema Center, definitely owes a quite a bit of its set-up to movies like “Double Indemnity” and “The Postman Always Rings Twice.” However, as the greats from the film noir period where weighted down, almost literally, in the shadows of the characters’ immoral deeds, “Better Living Through Chemistry” pokes fun at those elements and satirizes them to great effect.

What makes the dark humor in “Better Living Through Chemistry” work is the transition of humdrum protagonist Doug Varney into uninhibited hedonist, and that transformation is believable because Varney is played by Sam Rockwell. There always seems to be some anger just under the surface with Rockwell’s characters, even in his role as the mentor lifeguard in “The Way, Way Back” from this summer, he seemed to be mad at the world and his place in it. No matter the role, Rockwell holds a lid over that darkness that is just ready to erupt, and that inner conflict creates great comedy in many of his roles.

Dark comedies are one of my favorite film genres, but there is a great level of difficulty in pulling them off effectively, think about how easy it is to go “too far” and lose faith from the audience from making fun of a character’s suffering. Here is a list of some of the successful dark comedies that can be found on Netflix streaming. Feel free to binge watch them all after seeing Sam Rockwell do his thing in “Better Living Through Chemistry” at Cinema Center. Also, if you have any ideas for films you would like to see at Cinema Center, private message our Facebook account before midnight tonight (3/21) and we will send you a coupon for FREE concessions.

World’s Greatest Dad (2009)

Very few directors could turn the tragedy that occurs at the beginning of this film into the jumping off point for a biting satire about fame, family, love, and all those other things that people aspire to obtain, but lucky for us Bobcat Goldthwait (yes, the guy from the “Police Academy” films) has turned his attention to making dark comedies like “World’s Greatest Dad.” The film stars Robin Williams as a well-meaning father and struggling writer whose most famous work is spawned from a lie and humiliating catastrophe. Like most great dark comedies, this film walks a thin line between making you want to laugh, and just making you cry for its characters. It features one of Robin Williams’ best performances, who is able to invoke sympathy, even after doing some pretty despicable things throughout the course of its mostly high school-set story. The tight script even finds a way to integrate the Bruce Hornsby-heavy soundtrack into a bit of a plot point.

Tabloid (2010)

Uncle Errol (that’s what I call him, anyway) Morris is known for making documentaries that showcase all forms of the human condition, in a nonjudgmental way, mostly because he has the ability to get people talking and they forget they are being filmed through the use of his interrotron machine. In “Tabloid,” Morris explores the famous ‘Mormon Sex in Chains’ case that created a British tabloid war throughout the late 1970s. Joyce McKinney was accused of kidnapping a Mormon man, who she knew before he moved to England, and keeping him chained to a bed, and forcing him for sexual favors. The film goes to lengths of not making fun of anyone involved, or the nature of any alleged crimes, but it allows McKinney to explain herself, and as she does so, her story begins to double-back on itself, unwind, and soon it doesn’t even seem like McKinney is exactly sure what happened. A bit like Akira Kurosawa’s “Rashomon,” nearly everyone in this film has a different idea about what happened during the course of events it explores, and no one’s account is quite as outrageous as McKinney’s.

Tucker & Dale vs. Evil (2010)

Poor Tucker and Dale, they just want to spend some time together fixing up their vacation home that just happens to look like the every dilapidated cabin found in almost every horror film. That is exactly what a group of college students think, and through a series of misunderstandings, believe the harmless Tucker and Dale are murderers out to get them, so they decide to attack the duo before anything horrible happens. And, then very, very horrible things happen. Decapitations, impalements, and other horrible ways to die have never been quite as funny as in “Tucker and Dale vs. Evil,” and part of the reason is because the heroes are so sweet, and the pesky college kids are so privileged and stupid to think that just because the cabin needs a coat of paint, anyone who resides in there must mean them harm. When you look past the blood and the gore, at its heart, “Tucker and Dale” is a comedy of manners, not unlike a lot of Shakespearean comedies, only full of more entrails.

In case the dark comedies above can’t hold you over, here is a list of other films worth exploring. Don’t forget to Facebook message us your film suggestions and get a coupon for FREE concessions.

Where the Buffalo Roam (1980) – Hunter S. Thompson’s first screen persona, played by the one and only Bill Murray!
Fargo (1994)
Confessions of a Dangerous Mind (2002) Another great film starring Sam Rockwell
Wilfred TV Series (2011)
Vampire’s Kiss (1989) – the mother of all dark comedies, the mother of all Nicolas Cage performances – Not available on Netflix, at all.

Jonah Crismore is Cinema Center’s Executive Director, he was just kidding when he said he would lead a workshop based on Nicolas Cage’s leadership style in “Vampire’s Kiss.”


FILM NEXUS Vol. 2: St. Patrick’s Day Picks

There are people, currently walking among us, who do not care so much for traditional St. Patrick’s Day festivities such as wearing green, attending raucous parades, barhopping, and singing Pogues songs in various alleyways. I feel pity for these people, but respect their hesitation for staying in, it is really easy to understand when you are not able to hear your friends at crowded bars, or have to deal with the drunk and unruly strangers, and always live under the threat of being pinched because someone didn’t happen to notice your green striped socks. Luckily for these people, there is Netflix, even on St. Patrick’s Day weekend, and although there is not a whole lot of selection of Irish films with their streaming service, the few that are available are pretty great.

Let me preface this selection by saying I was looking for films that dealt with Irish culture, made in Ireland, by Irish filmmakers or with predominantly Irish actors. While I love many of the films that explore the Irish-American experience, I often feel those films focus too heavily on criminality and do not represent enough of a full picture of Irish-American life, for every “In America,” the beautiful family portrait by Jim Sheridan, there are “Gangs of New York,” “The Departed,” “The Boondock Saints,” and “State of Grace.” Also, these films are usually on heavily rotation on television in mid-March, anyway, and I hope your filmic voyage to the Emerald Isle will be full of more interesting experiences than something you can randomly tune into on TBS.

My Left Foot (1989)

Daniel Day-Lewis won his first Academy Award for his role as Irish writer Christy Brown in this Jim Sheridan film. Born with cerebral palsy, Brown’s left foot was the only part of his body where he was able to exert any control, and by using his foot, he was able to write some of the most interesting modern Irish literature, including his autobiography that this film was based on. This film could very well only have worked with Day-Lewis in the lead, who was so committed to his role, he would not feed himself while on the set. Besides Day-Lewis, the film is elevated by the fact it does not hide Brown was at times a cruel person, who was not humble about his talents at all, and lived a good part of his life as a selfish alcoholic. Like the film’s subject, the film is a complex work, and does not hide all the many ways genius explodes onto the world.

Waking Ned Devine (1998)

This sweet, small village set comedy, is about loyalty and friendship, just as much as it is about a conspiracy to fool a lottery official into believing the winner of a £6.8m prize did not die of shock when he realized he won, but is actually one of his still-living friends. The two masterminds of the plan are Jackie and Michael, two senior citizens who see a way for the whole town to benefit from their deception. One of the true highlights of this film is how it is able to show different members of the village grapple with the morality of the situation, and if taking their cut of the winnings is worth the risk of their neighbors going to jail. If I had to pick another great point of the film, it is the version of “The Parting Glass,” that plays at the end of the film.

The Wind that Shakes the Barley (2006)

For a couple of years, I’ve been watching this film on or around St. Patrick’s Day. Set   during the Irish War of Independence and the Irish Civil War, both of which took place in the early 1920s, it stars Cillian Murphy as Damien, a man who gives up an education studying medicine to take up arms in the IRA against the British. This film, which won the Palme d’Or at the 2006 Cannes International Film Festival, forgoes many war (and at times, gangster) film clichés and staples, in order to show events in a realistic, and historically accurate manner. Many of the scenes, especially those that depict torture, are hard to watch, and Damien does horrendous things in the name of the cause, but this film informs the audience through its ability to make events that happened 90+ years ago visceral and real. This is definitely not a pick-me-up kind of film, but that does not mean there isn’t something uplifting in Ken Loach’s filmmaking, and the courage it took for the actors to portray such conflicted characters.

Some other great films to watch around St. Patrick’s Day are:

The Crying Game (1992)
Intermission (2004) – Not available on Netflix streaming
Hunger (2008) – Not available on Netflix streaming
Shane MacGowan: If I Should Fall From Grace (2003) – Not available on Netflix streaming

Also, if you want to go out, but don’t want to deal with the bars or crowds, Cinema Center will be open on March 17th, and would be excited if you chose to spend the holiday with us.

Jonah Crismore is the Executive Director at Cinema Center and thinks “Down All the Days,” inspired by the work by Christy Brown, is an underrated Pogues song.


FILM NEXUS Vol. 1: Her

In an indistinctly near future, a heartbroken man sits in his cubicle and completes an assignment: dictating a love letter for a couple who have been happily married for fifty years. The irony of the man’s work is not lost on him. In fact, it is one of the driving forces that creates an environment of loneliness that creeps into every aspect of Theodore Twombly’s life in Spike Jonze’s amazing, and Oscar-winning, unconventional love story Her, coming to Cinema Center March 7th.

From that first scene that tells you just about everything about Theodore (played brilliantly by Joaquin Phoenix), we understand completely why he would fall so head over heels in love with his artificially intelligent operating system Samantha, and in anyone’s hands other than Spike Jonze, the movie could have very well played like a bad joke. But it thankfully it doesn’t. The film cascades in emotions because its characters have either been numb for so long, or are just experiencing them for the first time. In many ways I think the film itself achieves something that Samantha is always on the verge of figuring out, it demonstrates a little bit of what it’s like to be human.

Her is one of the best head-scratching romances to come out in recent years but it is not the only one, and luckily most of us have made it through House of Cards by now and are looking for some films to fill up our instant watch lists . After experiencing Herat Cinema Center this weekend, go back home and watch some of these other great unconventional love stories available on Netflix streaming:

Punch-Drunk Love (2002)
Paul Thomas Anderson’s follow-up to Magnoliafeatures Adam Sandler in one of his most volatile, and sympathetic, roles as Barry, a novelty toilet plunger salesman whose one shot at romantic happiness is threatened by an extortionist phone sex operator and his seven sisters. Barry is a creature completely governed by his impulses, at one moment he is sweet and paralyzed by loneliness and in the next he is loud, confrontational, and capable of violence. It is Sandler’s performance, as well as the emotional abuse Barry receives from his sisters, that lets the audience feel okay about cheering him on in his quest for Lena, an English woman he barely knows but deeply loves. The film is elevated by great supporting performances by Luis Guzman and Philip Seymour-Hoffman.

Let the Right One In (2008)
This Swedish film could very well be about the first time someone falls in love, only for 12-year old Oskar, the object of his affection happens to be a vampire. Though the film finds itself occasionally its vampire horror film trappings, the central relationship between Oskar and Eli, the forever child vampire, is at the center of this moving film. Oskar is a bullied and lonely kid, until he meets Eli, and we applaud as Oskar grows as a result of being close to someone who is both strong and wise. Yes, the film gets very bloody and very gory, but it also has moments of great tenderness, and demonstrates the depths one will go for love, more so than I have seen in any film, horror, or otherwise.

Lost In Translation (2003)
Is there such a thing as platonic romance? This film by Sofia Coppola makes it seem as though that is possible as Bill Murray’s Bob and Scarlett Johansson’s Charlotte bond over a couple of nights in Tokyo. Bob is an aging actor, tired from life and having to make money by doing commercials for Suntory Whisky, while Charlotte is newly married to a photographer who gives his work more attention than her. They find each other in hotel elevators, hotel bars, and eventually in each other’s rooms, but the film is more interested in the differences between the generations the two characters come from and what they can teach other, than in any possibility for romantic entanglements, even though those desires are below the surface and almost come rushing out in one moment of anger later in the film. The naturalistic performances are enough to make the friendship believable, and the cinematography (sometimes guerilla-style) and soundtrack add to feeling we are just sitting in the same room as the relationship between these characters grows.

Some other great unconventional love stories to check out on Netflix are:

Amelie (2001)
Y Tu Mama Tambien (2001)
Safety Not Guaranteed (2012)
Beauty and the Beast Television Series (1987) See Ron Pearlman before he put on his biker jacket in Sons of Anarchy or the make-up in Hellboy!

Jonah Crismore is the Executive Director at Cinema Center and Her was his favorite movie of the year.

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